Call for scholarly presentations, master classes, and performances

World Dance Alliance Global Summit July 23–28, 2017

School of Music at Memorial University, St. John’s, Newfoundland

Dancing from the Grassroots

 

CALL FOR SCHOLARLY PRESENTATIONS, MASTER CLASSES, AND PERFORMANCES

The deadline for all proposals is December 1, 2016

 

 

The 2017 World Dance Alliance Global Summit turns its focus to Dancing from the Grassroots to explore the ways in which grassroots dancing also counters, resists, supports and negotiates formations of power. Important links have been made between grassroots movements and social change. Grassroots dancing (interwoven with music and performance) can also be viewed in this activist sense as generating social change. From this perspective, examining the principles and practices of grassroots dancing through historical and contemporary lenses is important and crucial to understanding how and why the social moves.

Across Canada and in many parts of the globe, grassroots dancing is ubiquitous and diverse. Dancing from the grassroots—as self-governed, amateur, participatory, community-based: local, translocal and virtual—can be a public source of pleasure, inclusion, social networking, health and wellbeing, and intergenerational community building. Yet at differing times and places grassroots dancing has gone underground to avoid condemnation. What can a look at dancing from the grassroots tell us about how to sustain a movement, sustain an alternative idea and see it through to mainstream acceptance?

 

The selection committee seeks proposals that address the Summit’s broad and inclusive theme of Dancing from the Grassroots. We encourage submissions that explore the impacts, roles, and contributions of grassroots dancing. Recognizing this heterogenous group of organizations, which reaches into the domains of health and wellbeing, life course and ageing, social/activist movements, aesthetics, economics, education, and the environment, is a rich site for researching issues pertinent to the sciences, social sciences, and humanities, we invite scholars trained in a diverse range of [inter]disciplinary fields to make visible the contributions and impacts of grassroots dancing through research. These related fields might include (but are not be limited to) dance, theatre and performance studies, anthropology, kinesiology, cognitive science, equity studies, music, social work, medicine, life sciences, and gerontology.

 

This Summit will celebrate these groups, who continue to present innovative and daring work, by showcasing them along with international artists who are also transforming practices to further stimulate creativity and push boundaries by exploring new ideas both at home and abroad.

Topics and questions to consider:

  • The role of grassroots dancing in life course and ageing/heath and wellbeing/biopolitics and neurotypicality.
  • The small and large scale economic impacts of grassroots dancing paid and unpaid labour, tourism, volunteerism, donations, costs and in-kind donations for rehearsal space and costumes, etc.
  • Theorizing the relationship between music, dance, performance Processes of creativity, imagination, and improvisation.
  • Heritage, tradition, indigenous dance: How have amateur grassroots dance organizations transformed into professional paid employment in dance historically?
  • What can the presence of grassroots dancing tell us about the larger economic and political climate of support for dance?
  • What can processes of inclusion/exclusion/trans in grassroots dancing tell us about nation/nationalism, identity, colonial/postcolonial, sex, gender, abelism, ageism, race, ethnicity, and religion, etc.? How does grassroots dancing speak to issues of copyright and property rights?
  • Social movement/social change: What are the principles and processes of organizing grassroots dancing in terms of leadership and sustainability? Why are some grassroots dancing initiatives so successful at sustaining themselves? What can such groups teach us about sustainability and social change? How are new information and communication technologies impacting grassroots dancing for individuals and/or communities: local, translocal, and virtual? What can grassroots dancing teach us about coalition building?

 

Submission requirements:

Proposals can be submitted in English, French or Spanish within the following formats: scholarly papers, pecha kucha presentations, panel discussions, master classes, performances in diverse spaces, and choreolabs. Interested individuals or groups may submit a maximum of two proposals in differing areas for the Global Summit. For example, an individual might propose both a paper presentation and a master class, but not two papers.

 

DEADLINE: The deadline for all proposals is December 1, 2016

Please note: In order to present in any of the formats at the conference, all participants must first become members of WDA, before their submissions will be reviewed. To become a member of WDA Americas, applicants can access the Membership site at http://www.wdaamericas.net/. Membership in other regions is available through your local WDA chapter and/or your national dance association.

 

Details about the various performance spaces and lecture halls at the conference site will be available on the WDAA website after November 1, 2016.

 

Papers and panel proposals:

All proposals may be submitted and delivered in English, French or Spanish. Individual scholarly presentations should be no more than 20 minutes with an additional 10 minutes available for questions and discussion. Groups of three or more individual presenters may propose a panel presentation of no more than 70 minutes total with 20 minutes additional time available for questions and discussion. Those intending to present solely in French or Spanish should indicate this on their application. There will be some translators available to assist with translation; however, these services cannot be guaranteed.

 

  • Individual presentation proposals should be no more than 250 words in length.
  • Proposals for organized panels require a 150-word description of the panel theme in addition to the individual abstracts submitted as a single document (100 word maximum).
  • Proposals must be accompanied by the following information: each presenter’s name, title, institutional affiliation (if applicable), mailing address, e-mail address, and a brief bio of no more than 150 words.
  • Proposals are due by December 1, 2016 and must be sent as a .doc or .docx file via e-mail to Linda Caldwell (lcaldwell2@twu.edu). Acceptances will be sent by February 15, 2017.

 

Pecha Kucha Presentations:

Pecha Kucha is a presentation format in which 20 slides are timed to be shown each for 20 seconds (no more than 7 minutes total). Scholars who have developed a strong research focus but are in the beginning processes of writing and presenting their research are encouraged to present in this format. This format is especially good for graduate students wanting to clarify research purpose statements and gather feedback and possible insights from other researchers. Initial submissions are in the form of a 250-word abstract in either English, French or Spanish in which the topic, methodology and importance of the research to the dance field is summarized.

 

  • Proposals must be accompanied by the following information: each presenter’s name, title, institutional affiliation (if applicable), mailing address, e-mail address, a brief bio of no more than 150 words in English, French, or Spanish.
  • Proposals are due by December 1, 2016 and must be sent as a .doc or .docx file via e-mail to Linda Caldwell (lcaldwell2@twu.edu. Acceptances will be sent by February 15, 2017. If selected, more detailed instructions on the Pecha Kucha format will be provided on the WDAA website after February 15, 2017.

 

Master class proposals:

Master classes provide conference participants with an opportunity to experience the expertise of selected teachers in terms of dance practice and dance making.

 

  • Master classes are 90 minutes in length. Master class proposals should be no more than 250 words in length and can be submitted in English, French, or Spanish. Please note that the Global Summit facilities cannot guarantee specialized equipment (mats, physio balls, etc.) for use in classes. Details about music technology will be provided at a later date.
  • Proposals must be accompanied by the following information: presenter’s name, title, institutional affiliation (if applicable), mailing address, e-mail address, and a brief bio of no more than 150 words.
  • Proposals are due by December 1, 2016 and must be sent as a .doc or .docx file via e-mail to Ann Kipling Brown (ann.kipling-brown@uregina.ca). Acceptances will be sent by February 15, 2017.

 

Choreolab proposals:

Choreographic labs (choreolabs) are intended to provide a forum for choreographers to work collaboratively to create a work on selected conference participants within three 2-hour daily rehearsals (auditions and first rehearsal on July 24 with the final work or work-in-progress presented on July 28) in a site-specific space scheduled in consultation with the conference organizers. All rehearsals for the site-specific work should take place at the site. Choreographers/ dancers should prepare for all types of weather. Each work should fall within a minimum of 3 minutes or a maximum of 10 minutes. Preference will be given to the creation of new works.

 

  • Proposals should include a description of the intended project and an explanation of methods in no more than 200 words. Each proposal must clearly state how the project can be accomplished in the limited time frame available and within a site-specific environment.
  • Proposals may be submitted in English, French or Spanish.
  • Each proposal must be accompanied by the following information: choreographer’s name, phone number, institutional affiliation (if appropriate), mailing address, e-mail address, and a bio of no more than 150 words.
  • We suggest applicants submit a link to an online video (YouTube or Vimeo) of a work sample or the work to be reset (minimum of 3 minutes).
  • Proposals are due by December 1, 2016 and must be sent as a .doc or .docx file via e-mail to Falon Baltzell (baltzelldance@gmail.com). Acceptances will be sent by February 15, 2017.

 

Performance Proposals:

  • Accepted works will be performed once at locations determined by the selection committee (may be site-specific or on a recital hall stage with limited lighting availability). If the proposed choreography must be produced on stage or in a studio, the dance cannot exceed 12 minutes. Site-specific dances may be longer as long as a clear explanation of procedures and audience expectations are provided.
  • Proposals for performance of each choreographic work or of a representative work must be submitted on YouTube or Vimeo. If submitting representative work, please also provide a brief statement of 200 words or less (in English, French or Spanish) describing the proposed performance including length and number of performers.
  • Performance proposals must be accompanied by the following information in English, French or Spanish: each primary presenter’s name, title, institutional affiliation (if applicable), mailing address, e-mail address, and a brief bio of no more than 150 words.
  • Proposals with YouTube or Vimeo links are due by December 1, 2016 and must be sent as a .doc or .docx file via e-mail to Melissa Sanderson (melissa.n.sanderson@gmail.com). Acceptances will be sent by February 15, 2017.

 

Digital Dance Concert:

The World Dance Alliance Americas will run its third annual WDA Digital Dance Concert, a double-blind reviewed online presentation of videoed choreographies and dance films created specifically for the camera. The Digital Dance Concert aims to offer a virtual platform for choreographers, companies, and dance filmmakers to present, promote, and disseminate their work. Selected dance-for-camera works will be featured online through a digital dance concert format on the WDA-A website. Select works will also be presented at the 2017 World Dance Alliance Global Summit at the Memorial University of Newfoundland in St. John’s, Newfoundland, Canada – July 23-28, 2017. Please visit the following WDA-A website link for details about video submissions: http://www.wda-americas.net/wda-projects/digital-danceconcert/ digital-dance-concert-application-process/.

Call for artist – 2017 Dance Bridges Festival

Dance Bridges Festival is happy to announce the open call for artist applications for it’s 2017 edition in Kolkata, India from August 22-29. We are a young and edgy festival showcasing exciting contemporary choreography allowing for artistic and cultural exchanges between local and international artists.

You can see highlights of our first edition in August 2015 here: https://www.youtube.com/watch?v=GPjgRSRA4K0. We also hosted a special residency with Van Huynh Company (UK). Here is a short documentary you can watch: https://www.youtube.com/watch?v=2UCkEJ4L5Bg

The categories for the Open Call for 2017 include performances, workshops, film screenings, residency (performance opportunity) & internships. Please find the guidelines to applications here: http://bit.ly/DBF17Gui

We would be grateful if you could share this with your networks and please send in all applications to dancebridgesfestival@gmail.com by 1st November 2016 for performance, workshops & films and by 1st January 2017 for the residency project & internship​​.

Call for Applications for Residency at K3, Hamburg

K3-Zentrum-fur-Choreographie-Tanzplan-Hamburg-Residencies

CALL FOR APPLICATIONS — RESIDENCY PROGRAM 2017/2018
K3 – Zentrum für Choreographie | Tanzplan Hamburg

Application deadline: August 14th 2016

For the season 2017/2018, K3 | Tanzplan Hamburg is offering an eight-month residency to three emerging choreographers.

The applicants should have already created their own artistic works.

Duration of the residency is August 2017 to April 2018.

The residency includes amongst others, a monthly grant, a production budget as well as a qualifying course program.

We accept applications from all over the world and in all choreographic fields (also dance for young audience for example). There is no pre-setting or exclusion.

Further information about the residency program and the required application material: www.k3-hamburg.de/en/ausschreibungen/

The 1st International Arts Olympiad-Taiwan, R.O.C. is now accepting application!

Organized by the K-12 Education Administration under the Ministry of Education and NTNU, The “1st International Arts Olympiad-Taiwan, R.O.C.” is Taiwan’s first international contest event focusing on students’ artistic and aesthetic education development. Within the 5 day event which starts from August 15 to August 19, 2016, participants would be able to collaborate with students from different countries and different categories to create artistic work. The event also includes guest speaking, cultural visits, and many more other exciting activities!  

During the contest students would participate in two parts: first the individual art contest then the interdisciplinary group contest.  Any Gr. 10~12 students with an interest/talent in either Fine Art, Music, or Dance category can apply and would be considered first; all other international applications are welcome as well! Admission is FREE and the application deadline is by June 6, 2016. Apply soon as space is limited! For more information please visit our website at http://aecntnu.wix.com/artsolympiad-taiwan

Accommodation for WDAAP International Dance Festival/Conference, 21-24 July 2016

To all our the dance practitioners, enthusiasts and fans from around the world, as well as WDAAP members, who are looking forward to World Dance Alliance Asia-Pacific’s next exciting annual event, in Seoul, South Korea, hosted by WDA-Korea:
1. Holiday Inn is the official conference hotel.
2. See the room booking form: Download the form (MS Word doc 85KB). Please do direct all bookings to the Holiday Inn as stated on the form.
3. Holiday Inn has given a special rate for the WDA conference which is not announced on their website. This special rate is only available for WDAAP members, through bookings with this form through email or fax only (contacts are stated on the form).
4. Although not stated in the form, the room is appropriate for 1 – 3 people with a roll-away bed.
5. Looking for a roommate? The leader of each of the event categories (Showcase, Symposium, Master Class) will soon receive the list of all presenters in those categories and might be able to assist you in this matter. Please contact them if you require a roommate!

PS: The MayPlace Hotel in the centre of Seoul is also recommended (check their website); it is about a 35-minute bus ride to SSU. The special rate for anyone booking directly with the hotel is around $US90 per room for one and $US100 for two people, plus $US13 for breakfast.

News for WDAAP International Dance Festival/Conference, 21-24 July 2016

KakaoTalk_Hong Jo Jun_March 16, 2016

 

Information for dance practitioners, enthusiasts and fans from around the world, as well as WDAAP members, who are looking forward to World Dance Alliance Asia-Pacific’s next exciting annual event, in Seoul, South Korea, hosted by WDA-Korea:

1. A draft schedule of the event is now available! Download PDF here (28KB). This does not yet contain details of who is presenting where. It just contains the general outline of events — so you can start booking your flights to Korea! Check back at this website for an updated schedule with more details soon.

2. The conference site is in Sung Shin University, in the north of Seoul (30 mins from city centre). English Website: http://www.sungshin.ac.kr/website4eng/html/main/

3. The hotel nearby is Holiday Inn Seoul which will have a conference rate of US$100 with 3 beds (one roll-away bed); three people can share a room. With the conference rate, breakfast is not provided.

4. If anyone wants to book a hotel in the centre of Seoul, it is about a 35 minute bus ride to SSU. The MayPlace Hotel in the centre of Seoul is recommended. The special rate for anyone booking online directly with the hotel is around US$90 per room for two persons.

5. Conference registration will be open in mid May, US$100 for all WDA members. Please ensure your WDA membership is up to date through your country chapter before registering (e.g. Ausdance in Australia, MyDance Alliance in Malaysia etc.). There will also be facilities for payment of individual WDA membership at the conference (US$20). However, we strongly recommend that you strengthen your country’s dance networks by joining your own recognised organisation.

Call for proposal: 44th ICTM World Conference (Limerick, July 2017)

You are cordially invited to submit a proposal to present at the 44th ICTM World Conference. The conference will take place at the Irish World Academy of Music and Dance, University of Limerick (Limerick, Ireland) from 13 to 19 July 2017. During the conference, the 70th anniversary of the Council will be celebrated.

Abstracts can be submitted for individual papers, organised panels, film/video sessions, and roundtables. The deadline for submissions is 30 September 2016. To learn more about the guidelines for submissions and to submit your proposal, please visit the conference website.

ICTM is a partner organisation of World Dance Alliance.

Dance Routes – Danced Roots: Connecting the Local and the Global

Seoul, Korea – 2016

 In 2016, the Korean chapter of World Dance Alliance Asia Pacific will host the WDAAP Annual General Meeting and surrounding activities as the event Dance Routes – Danced Roots: Connecting the Local and the Global, from 21 to 24 July 2016.

Applications are now open for participation in the following events:

Southeast Asian Choreolab 2016 — Open for Applications

choreolab_lift

The Southeast Asian Choreolab 2016 is now open for applications. We are looking for 14 emerging choreographers from the Southeast Asian region, for a 9-day choreolab facilitated by Japanese choreographer Akiko Kitamura, 28 May – 5 June 2016.

Applications close 15 February 2016.

The Choreolab aims to provide a supportive environment for participants to acquire new choreographic tools, develop regional networks with their peers, and increase their international understanding.

We are looking for emerging contemporary dance choreographers (performance artists or physical theatre creators also eligible) aged 35 or under, or who began creating professional-level work within the last five years. Citizen of and resident in an ASEAN country (Indonesia, Malaysia, the Philippines, Singapore, Thailand, Brunei, Burma/Myanmar, Cambodia, Laos, Vietnam) or Papua New Guinea or East Timor. Must be able to communicate functionally in English, and be excited to increase your knowledge base, share your practice and establish networks with your international peers.

The Choreolab provides accommodation, meals, local transportation and access to all Choreolab activities. The applicant must provide their own return airfare to Kuala Lumpur, insurance, and visa (if necessary).

For more information, see http://rimbundahan.org/southeast-asian-choreolab-2016/ or contact Bilqis Hijjas, +6017 310 3769, contact@mydancealliance.org<

Call for Proposals for Master Class

Dance Routes – Danced Roots: Connecting the Local and the Global

Seoul, Korea – 2016

SUBMISSION DEADLINE EXTENDED: FEBRUARY 10, 2016
(You will be notified in 6 days after application)

ACCEPTANCE NOTIFICATION: MARCH 10, 2016

World Dance Alliance – Asia Pacific, Korean Chapter, invites Dance and Movement (dance-related) professionals working with Community, Education, Performance and Somatic in dance to submit proposal for the Master Class at upcoming conference, Dance Routes – Danced Roots: Connecting the Local and the Global in Seoul, Korea, from 21st to 24th July 2016.

 

The Master Class aims to provide a teaching platform for dance and movement professionals to share their teaching to the wider dance community.

 

The Master Class, of 90 minutes in length, will take place in the dance studios located in ShangShin University and will be open to all participants of the WDA-AP Korean event.

 

All presenters must be registered members of World Dance Alliance – Asia Pacific.

 

Proposals for the Master Class will be submitted online and should comprise the following:

  • 100-word bio of the applicant (primary presenter);
  • 150-word of teaching experience (primary presenter);
  • 250-word statement that shows the genesis of the class to be taught;
  • 10-minute (maximum) video sample of recent class taught by Presenter (related to the applied subject) uploaded to either Vimeo or YouTube;
  • password-protected link to sample work.

 

Interested applicants are encouraged to provide the core and specific learning in the outline table.

An international panel will consider and evaluate all submissions based on Master Class Outline submitted.

Please fill out the online application form then download the outline and send the outline to masterclass2016wdaap@gmail.com ( please use your full name as the file name of outline)