2020 WDAAP/TDRS Conference and AGM

2020 WDAAP/TDRS Conference and AGM

Due to pandemic, the conference will be postponed to the following new dates, December 26 – 27, 2020. Hopefully, more international dance artists and scholars will be able to join us in these later dates.

26-27 December 2020, Kaohsiung, Taiwan

“Navigating Location, Negotiating Identity”

At this conference, we explore dance and its relations to identity with its many ramifications, focusing on the currents and flows involved in navigating location in and outside of relation to the nation and to the global. We investigate how “dance” provocatively (re)interrogates and (re)conceptualizes fundamental questions about region, nation, and location, as well as their representations. This includes the rich dynamics between intraregional and international studies of dance practices and theorization. The dialectic potential between “inner” and “outer” as well as “intra” and “inter” points to the need in dance studies to reexamine the issues of identity and geopolitics across lands and waters as well as across the global and regional; it celebrates and interrogates the connecting, mediating and negotiating power of dance, as well as the shifting relationships and pedagogies in the development of diverse dance histories.

Presentations may address, but are not limited to, the following topics:
– Identities and identifications through dance and movement analysis.
– Dance histories related to identity formations through gender, race, ethnicity, socio-economic class, sexuality, (dis)ability, (non)religiosity, nation, and region.
– Role of dance in formation of imagined / symbolic / contested / socially defined communities.

Proposed presentations may take the form of Scholarly papers, Pecha Kucha presentations for emerging scholars, panels, lecture-demonstrations; Master Class, and Showcase Performance.

Please note: Papers that are pre-grouped into panels are encouraged and have higher likelihood of acceptance. Individual papers will be grouped into panels by the program committee.

The proposals are invited clearly indicating the category of presentation under “Scholarly Paper” or “Showcase” or “Master Class” in the title of email subject in sending as well as on the title of the attachments.

The application will be from 10th January, 2020 and the last date to submit your proposals is on or before 10th March 2020 to the following email address. Please use the correct application form in the category you choice to apply:

1. For Scholarly Paper including Pecha Kucha, Panel and Lecture Demonstration: (download application form for Scholarly Paper)
please send to: wdaap.taiwan2020@gmail.com

2. For Master Class: (download application form for Master Class),
please send to: WDA2020masterclass@gmail.com

3. For Showcase,
please fill out our online application form.

 

Additional tour information 
2020-WDAAP-Tso.-KHH-CITY-TOUR

June 2020 Edition of Asia-Pacific Channels

In this edition:
  • A special message of hope from World Dance Alliance on International Dance Day.
  • Introducing themselves: Sarah Knox as chair of the Education & Training network, and Sohini Chakraborty as chair of the Support & Development network.
  • Updates on the WDAAP 2020 AGM which will be in Kaohsiung, Taiwan, in December 2020.

…as well as our usual executive reports, network reports, and country chapter reports.

Channels_cover_June2020

Download June 2020 Asia-Pacific Channels
[pdf-iconPDF 3.2MB]

Asia–Pacific Channels is the bi-annual magazine of the World Dance Alliance Asia-Pacific (WDAAP), published by Ausdance National in collaboration with MyDance Alliance in Malaysia. It profiles dance events and activities from WDA members throughout the Asia–Pacific region.

Back issues of Channels can be downloaded from here. The archive of Channels dating back to 1996 is available from the Ausdance website.

WDA Statement of Support

Dear Friends, Practitioners, Scholars, Advocates, and Supporters of Dance World Wide,

This is a message of hope and aspiration.

As the world reels under the Covid-19 pandemic, we are all confronted with having to adapt to new-normal amidst great challenges to our dance community. Natural disasters such as the Amphan cyclone in South Asia, the bushfires in Brazil and Australia, the global Covid-19 pandemic continue to pose great uncertainties, destroying precious lives and livelihood, causing our robust economies to form into trickles, affecting the arts industry to reach an unprecedented low point.

Nonetheless, our resilience in responding to such calamities has been exceptional, as we engage our dance communities to adapt to the ever-changing landscapes. Our myriad backgrounds and culturally diverse communities have been our greatest reservoir of talent pools for our creative endeavors, time tested and fastidiously honored.

As an independent, non-profit, non-political organization that promotes the recognition, development and mutual understanding of all forms of dance, WDA stands as a united community against all forms of racial inequality, ethnic hegemony and cultural superiority. Dance is Life and lives lived in inequality matter.

Professor Mohd Anis Md Nor, PhD

Secretary General

World Dance Alliance

Call for Paper Submissions: 2020 Journal of Emerging Dance Scholarship

jeds

An International Journal of World Dance Alliance

(www.jedsonline.net)

SUBMISSION DEADLINE:1 June 2020

PUBLICATION DATE: 1 December 2020

Guest Editors: Dr. Priyanka Basu, Dr. Ilana Morgan, Dr. Julie Mulvihill
Coordinator (Submissions): Dr. A.P. Rajaram

The World Dance Alliance (WDA) announces a call for original scholarly articles and performance reviews for Volume 7 of the Journal of Emerging Dance Scholarship (JEDS), from emerging scholars in the discipline of dance. Authors must be currently pursuing a graduate degree (M.A., M.F.A., Ph.D., or equivalent) or be within five years of having graduated (the degree does not need to be in dance, but the article must be focused on dance as an evolving discipline).  

Manuscripts should contribute innovative scholarship into contemporary or historical dance, research methodologies, critical choreographic analysis, ethnographic studies, pedagogical practices, or other topics opening insights into the field of dance studies. Research should be original and supported by outside resources. Research engaging participants must show compliance with Institutional Human Participants Review procedures.

JEDS is published online (https://www.jedsonline.net ) as an open access resource and linked through the World Dance Alliance Websites (http://www.wda-americas.net , http://www.wda-ap.org/ and http://www.worlddancealliance.net/ ). Articles and performance reviews are selected to ensure a diverse representation of global dance scholarship is included in each publication.

If you have questions, or would like to make a submission please email the guest editors:

If you have questions, or would like to make a submission please email the Coordinator (Submissions) Dr. A. P. Rajaram: JEDSsubmissions2020@gmail.com

Download:

Call for Paper Submissions & Guide for Contributors [DOCX 22KB]

Father: Vision of the Floating World

One of a series of film clips in celebration of International Dance Day 2020:

Both of Akram Khan’s parents were born and raised in Bangladesh. He grew up hearing stories of the Bangladesh Liberation War from his family, including his uncle who was a freedom fighter. His mother was studying at prestigious Dhaka University when she went to hear ‘Bongobondhu’ Sheikh Mujibur Rahman at Ramna Race Course on 7 March 1971, calling out to his people to liberate Bangladesh. It was so crowded, she had to step on a rickshaw to try and catch a glimpse of him! Even today she can remember how his words moved her.

For this work, Akram draws on his childhood stories and his families’ sense of national pride to present to Bangladesh the essence of Bongobondhu’s spirit. Using Sheikh Mujibur Rahman’s powerful speech as inspiration, Akram invited composer Vincenzo Lamagna to create the score in this new piece. Akram created an 8-min piece titled Father: Vision of the Floating World that featured as part of the 100-year anniversary of the Father of the Nation, Sheik Mujibur Rahman, on Tuesday 17 March 2020 in Dhaka, Bangladesh. The work was performed by three Akram Khan Company dancers who spent four weeks in a rehearsal residency in the heart of the country teaching the movement to 25 dancers from Dhaka.

 

Artistic Director and Choreographer Akram Khan
Creative Associate Mavin Khoo

Composer Vincenzo Lamagna, devised in collaboration with vocalist Sohini Alam
Lighting Designer Ric Mountjoy
Costume Designer Marie Cantenys
Collaborator to Costume Designer Margaux Lalanne

Rehearsal Director Yen-Ching Lin
Lead Dance Artist Lani Yamanaka
Dance Artist Elpida Skourou
Dance Artist Raziman Sarbini
Dancers Abu Nayeem, Alka Das Pranti, Amit Chowdhury, Ana Akter, Anandita Khan, Ariful islam, Farzana Yeasmin, Fifa Chakma, Aviroop Hridoy Sharma, Imran Ishtiaque, Maria Farih Upama, MD Hanif, Mehraj Haque Tushar, Mohana Meem, Zuairiyah Mouli, Parsa Evana, Prantik Deb, Samina Prema, Shammy Akhter, SI Evan, SI Shafiq, Sohan Arefin, Sudeshna Swayamprabha Tathoi and Sweety Das, Umma Habiba.

Head of Legacy & Project Manager Christine Maupetit
Project Consultant Eeshita Azad

DHAKA team

Costume Correspondent Faiza Ahmed
Blues Communications – Event Company
Farhadul Islam – CEO Blues Communications
Protik Chowdhury – Project Manager/Technical point of contact
Antu Tomnoy – Artist liaison coordinator

Video by Applebox Films

World Dance Day 2020 Video by Lok Chhanda

One of a series of film clips in celebration of International Dance Day 2020:

This World Dance Day, Lok Chhanda in Delhi, India, has made this video compilation dedicated to the frontline workers fighting the Covid-19 pandemic.
We are extremely grateful to all the gurus, choreographers & dancers for their support and encouragement.

Concept – Maitreyee Pahari
With the blessings & guidance of Pt. Birju Maharaj
Music – Vanraj Bhatia (opening sholka)
Video Editing – Pradeep Kumar
Audio Editing – Ankur Kapoor
Music Label – Living Media India Limited

International Dance Day 2020

header_messageauthor

 

International Dance Day is celebrated on 29 April every year, and commemorates the birthday of French dancer, ballet master and reformer Jean-Georges Noverre. This year’s IDD message is by South African dance activist Gregory Maqoma.

“We are living through unimaginable tragedies, in a time that I could best describe as the posthuman era. More than ever, we need to dance with purpose, to remind the world that humanity still exists.”

Go to the official page of International Dance Day, hosted by the International Theatre Institute (ITI), to read the full message, or find out more about Gregory Maqoma.

World Dance Alliance is a member of the International Dance Committee of International Theater Institute (ITI).

Dec 2019 Edition of Channels

In this edition:

  • Reports on the Ocean Dance Festival in Bangladesh, including a special report on the Choreolab.
  • Photos and participant reports from the International Young Choreographers’ Project for 2019.
  • Announcements of upcoming events, including the August 2020 AGM event in Kaohsiung, Taiwan.

…as well as our usual executive reports, network reports, and country chapter reports.

Dec2019_cover_thumbnail

Download Dec 2019 Asia-Pacific Channels
[pdf-iconPDF 4.6MB]

Asia–Pacific Channels is the bi-annual magazine of the World Dance Alliance Asia-Pacific (WDAAP), published by Ausdance National in collaboration with MyDance Alliance in Malaysia. It profiles dance events and activities from WDA members throughout the Asia–Pacific region.

Back issues of Channels can be downloaded from here. The archive of Channels dating back to 1996 is available from the Ausdance website.

Choreolab by Sashar Zarif

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An exciting component of the upcoming Ocean Dance Festival is a 15-day Choreolab by Canadian Irani dancer Sashar Zarif ending with a Gala Presentation on the Opening Night of the Ocean Dance Festival. Check out Sashar’s website at www.sashardance.com

7-21 November
Cox’s Bazar, Bangladesh

For updates, see the Facebook event: https://www.facebook.com/events/365042304149037/

ABOUT SASHAR

Sashar Zarif Dance Theatre (SZDT) is an internationally renowned Toronto- based dance theatre organization founded in 1994 by award winning multi- disciplinary performing artist, educator and researcher, Sashar Zarif. Through extensive touring across 37 countries including Americas, Europe, North Africa, Central and Western Asia, and the Middle East, Zarif has spent his professional life promoting cultural dialogue through intensive fieldworks, residencies, performances, and creative collaborations. His research interests are identity, memory, globalization, and cross- cultural collaborations. His artistic practice invites a convergence of creative and cultural perspectives. His teaching practice is steeped in the artistry and history of traditional, ritualistic, and contemporary dance and music of the Near Eastern and Central Asian regions and Islamic communities. For over twenty years Zarif has worked tirelessly to maintain the integrity of these fine arts by operating within three interdependent faculties of research, creation and education.

“My practice is a budding tree, established in the earth while rejuvenating in the air. Researching the roots, educating the body, and creating the fruit of this tree, are the mandate of my practice.”—Sashar Zarif

Artist Profile

OVERVIEW: I am a multi-disciplinary dance artist striving to contribute to socio- cultural animation. I am committed to maintaining the integrity of performing and expressive arts to facilitate a journey of self- discovery as a way of understanding one’s perception of reality. In fulfilling this objective, I aim to infuse dance with other essential pillars of art including music, poetry, calligraphy, storytelling, and rituals; thereby acquiring a genuine understanding of the human nature I seek to explore and understand.

PERSONAL & ARTISTIC BACKGROUND: My identity is not a product but it is the process of a ongoing constructive negotiation of my relationship between the cultures, languages, and experiences I carry with me. I come from a history of inherited migration through my grandparents and my own personal experiences with revolution, war, imprisonment, torture, fleeing, refugee camps, and migration. I am a new Canadian, born into an immigrant Azerbaijani family in Iran with strong Central Asian roots.

As an artist from the East living in the West, and after a number of years establishing my Azerbaijani/Iranian Canadian dance practice in Toronto, I found it necessary to examine my identity through a Western lens. Being introduced by my host society as “Middle Eastern”, “Muslim”, “Refugee”, or “Immigrant”, I often found myself confused. I struggled with the confrontation between the new culture and my own history. How could I negotiate the apparent contradictory appearance of who I was in the eyes of others and the reality of what I felt in my artistic practice? I came to the conceptual juncture of assimilation, integration, and acculturation on one hand, and preservation on the other.

I faced a decision to fully assimilate into Canadian culture, retain and maintain my own culture, somehow blend the two, or search for another possibility to help negotiate my identity. I wondered if there was a way I could make peace with it all — a way that was not yet clear to me, a way that would make sense, a way that would be true to the duality of my past and present experiences while allowing me to be happy, satisfied and to excel in my life and art. It has been an eternal search and I have come to the conclusion that life is a process-orientated inquiry. Rather than me longing to arrive at a destination, it is a continuous journey that has been informing my practice and has supported my goal of making a positive contribution to the world I live in.

MY PRACTICE: My professional practice is the process of transforming my personal journey in life to my professional journey in the world. A transformation that works towards an ongoing inquiry into my personal and social-cultural reality. This practice aims to provide stimulus to my own individual mental, physical, and emotional life in order to inspire or facilitate myself to undertake a wider range of experiences that can foster a higher degree of self-realization, self expression, and awareness of belonging to the self, to a community, and to the world at large concurrently.

ARTISTIC INTERESTS/OBJECTIVES: To date, my artistic practice has been accomplished by extensive ethnographic research into the artistic practices of the deeply culturally and historically inter-related Central and Western Asian cultures as well as the cultures of the Islamic societies at large. Also I have participated in a series of cross- disciplinary, culturally creative and educationally collaborative projects both in Canada and across the globe. Thus, My artistic activities are comprised of three inter-related sections/practices: research, teaching, and creation/performance/production — all three operating simultaneously to support one another.

CREATIVE APPROACHES: Since 1994, I have provided artistic activities to dance artists and students in both rural and urban communities across 29 countries. Today, I continue to build on:

• Research (archive: audio/visual/text material, practical knowledge/information, and method of inquiry)

I inquire into the past to connect with the present and contribute to the future. It supports my mission by bringing awareness to the creative exploration of identity, globalization and cross-cultural explorations as well as the basis for my evolving dance pedagogy. I have conducted extensive ethnographic fieldwork across Central and Western Asian, the Middle East, and North Africa focusing on inter- related Sufi, Shamanic, and traditional dance rituals across Islamic societies.

•Creation – Dance form
Dance of Mugham (a constructed dance form providing me with a effective tools to work with) Dance of Mugham is a dance form that was reconstructed and reimagined through the study of its once integrated partners: mystical poetry, classical music, classical calligraphy, and rituals of Sufi and Shamanic traditions across the Islamic societies. This form was created in order to enable me to work with the wealth of wisdom, knowledge and integrity embedded in these mystical practices that have been promoting inquiry into the reality of self, compassion, harmony, and tolerance. The Project was realized over eight years through focused and intensive field world, study and consultation with some of the prominent masters of music, poetry, calligraphy and sufi rituals.

• Creation – Creative approach
Moving Memories (A creative process for dance- making/choreography)

For me, creation is about transformation of artistic experiences. Through articulation and refinement, this creative process provides reality to my artistic creations, resulting in my choreographic works.

• Pedagogy – SZDT’s Itinerant Dance Academy (IDA)
(the means by which I share and communicate the aforementioned artistic activities)

Educational outreach is an integral component of SZDT’s mission and vision. Formerly known as the Joshgoon Dance Academy which was established in 1994 by Sashar Zarif after his graduation and performance experience in National and Classical Dances of Azerbaijan and Central Asia in Baku, Azerbaijan. The new Itinerant Dance Academy offers residencies, lecture- demonstrations, and classes in Near Eastern and Central Western and Central Asian dance, character, technique and choreography, including dances from Azerbaijan, Dagestan, Iran, Afghanistan, Tajikistan, Turkmenistan, Uzbekistan Kazakhstan and Western Mongolia. Of special note is the “Dance of Mugham” which is the product of over twelve years of research and reconstruction completed by Artistic Director Sashar Zarif. The goal of Sashar Zarif’s of IDA is to reinstate the nearly lost element of dance back into the ancient form of Mugham.

The Itinerant Dance Academy has been appropriately named “Itinerant” since Zarif’s teaching and curriculum has, and continues to be experienced by students and artists of all ages across the globe. After years of honing his teaching practice, Zarif’s students have benefited from the profound opportunity to explore their past memories through integrated dance practices that involve music, poetry, calligraphy, ritual, storytelling and oral journaling. Zarif’s unique dance pedagogy, curricular content and course offerings offer an educational platform for his students to nurture the theatre’s core values: inquiry, sharing, diversity, individualtiy, tolerance, compassion, harmony, responsibility, awareness, and motivation.

As such, the Itinerate Dance Academy facilitates moving beyond a fixed understanding of culture to a universal way that humans relate to the world around them. SZDT Itinerate dance academy was conceived to facilitate genuine communication and awareness between people across the globe.

June 2019 Edition of Asia-Pacific Channels

Hot on the heels of the last edition, World Dance Alliance Asia-Pacific is delighted to present the June 2019 edition of Asia-Pacific Channels, the biannual magazine of World Dance Alliance Asia-Pacific.

Some highlights of the edition include:

  • Considerations of the future of the WDAAP Education & Training Network, amid larger discussions of the role of WDA.
  • A report from India with lovely views of the upcoming Ocean Dance Festival venue for the WDAAP AGM in Bangladesh.
  • Special announcements of the World Dance Alliance Global Summit 2020 in Hong Kong.

…as well as our usual executive reports, network reports, and country chapter reports.

Channels_june2019_coverDownload June 2019 Asia Pacific Channels [pdf-icon PDF 3.8MB]

Asia–Pacific Channels is the bi-annual digital magazine of the World Dance Alliance Asia-Pacific (WDAAP). It profiles dance events and activities from WDA members throughout the Asia–Pacific region.

Back issues of Channels can be downloaded from here. The archive of Channels dating back to 1996 is available from the Ausdance website.